MEDiA: The Terminal List, Amazon Prime

I have to confess I binge watched this entire mini-series last night. Not a terrifically wise decision, given I started watching it at about 9-10pm! I’m guessing it must have been about 5am when it finished?

I was hankering for some enjoyable adrenal-gland stimulation, that could be administered lying down. And in that respect, this new show – premiered July 1st – ticked the box.

Author and former SEAL, Jack Carr.

The story is based on a book of the same name by former Navy SEAL turned author, Jack Carr. Rather surprisingly, whilst the TV show has a Wikipedia page, Carr himself does not.

I’m not going to delve too deep into Carr’s real life or military career, nor am I going to synopsise the entire TV series. This is just going to be a fairly basic review/reaction to having just watched the entire show.

The fetishisation of macho violence is total.

I’m giving it three stars, for now. Why? Well, it was entertaining and compelling enough that I stayed up most the night to watch it. But it is also rather troubling – very worrying, frankly – in how it relates to the current rise in neo-Fascist aspects of contemporary American Conservatism, US gun culture and modern ideas of masculinity.

Jaws so square they could chisel granite.

What it highlights for me is the incredibly dangerous intersections of whole constellations of myths and reality in the psyche of the modern American right.

To highlight what I’m talking about, let’s just very lightly unpick one aspect of the story… the private contractors hired to provide security for various characters, large numbers of whom wind up as just so much cannon fodder.

This idea is quite well parodied in one of the Austin Powers movies; at one level these functionaries are really just guys doing a job, feeding their families. But here they’re no more than meat for the grinder of ‘righteous’ hatred!

Fails his family…

The attempt to have Reece as both a loving family man, as well as a war hardened super ninja, is, ultimately, as another reviewer I read elsewhere (I can’t recall where) says, really quite boneheaded.

Offing countless mercenaries to get to his targets, some of whom (the latter esp’) he brutally tortures – he’s more successful as a killer and a sadist than as a family man – just doesn’t square well with ‘nice ordinary guy’. Dude’s a freakin’ psycho!

… but excels as sadistic executioner.

Jack Carr loves his weapons, especially his guns, as you might imagine a Navy SEAL would. He hunts big game at home (mountain lion recently, I read somewhere). And he’s hunted humans too, as a sniper, whilst serving overseas.

He goes to gun shows, and gives interviews to people like Soldier of Fortune and The Federalist. The former essentially being ‘Mercernaries Monthly’, the latter a Conservative media organ that has shamelessly spouted anti-vax bollocks, and declared support for Trump’s blatant lies around the whole ‘stolen election’ fraud.

‘Lock and load’ is one thing. ‘Pray and spray’!?

In his SOF interview (read that here) he describes the story, accurately enough, as ‘a story of revenge without constraint.’ His hero Reece goes on the warpath, Stateside, to kill those – on his ‘terminal list’ – who he holds responsible for the deaths of his entire squad (mostly overseas), and his wife and daughter, once back home.

In the same SOF piece Carr expands: Reece kills ‘those involved using the tactics and techniques used by the enemy in Iraq and Afghanistan, so at another level it’s about someone abandoning the rule of law and becoming the terrorist and insurgent he’d been fighting … it’s about a veteran of the War on Terror bringing that war home.’

That sounds quite interesting as an idea. There is a chickens coming home to roost side to the ‘war on terror’ that America seems to fundamentally fail to grasp. But that potentially interesting thread is poorly served here, in the end.

The suits and their spooks, always corrupt.

The plot is further complicated by other strands in the story. I’ll refrain from spoilers. Despite these attempts to be confusingly interesting, however, the over familiar ’conspiracy from within’ trope is rather convoluted, and, frankly, veers towards the silly. But it just about serves its purpose, as a plot driver. Don’t examine anything too closely though. It bears very little scrutiny!

Ultimately this one of those recurring and popular fantasies of older right wing males: über machismo uncorked. And ultimately it’s pretty revolting. The ending being particularly dumb and horrid.

But the untethered ego of the hero survives! So… all is well, is it? Really? If I was Carr’s wife, I’d be pretty worried about his priorities and general mental health.

Black, red,white? Wasn’t there a little Austrian chap that liked this combo’?

Returning to the neo-fascist threads, these are on display everywhere, from the unctuous tattooed bodybuilder villain, to the rites of the US military itself, to Reece, part hillbilly demon, part sensitive beautiful powerful man!

There’s a toxic self-regard at the heart of this macho male military culture, in which everything and everybody else is merely an ancillary appendage to the hero’s ego. Not at all attractive, to me at any rate!

Most real world villains prob’ spend less time in gyms and salons.*

In the end it’s all just a rehash of everything from Clint Eastwood to James Bond to Rambo. The lone hero, against pretty much the entire world. Mean, moody. A hardass mo’fo’, who’ll slit you from gullet to gizzard just as readily as buy you a brew.

Clearly made with a huge budget, and pretty decently acted, albeit in a world of cartoonish simplification, I did enjoy ‘the ride’. But as a film that might have anything to leave the viewer with, after the adrenaline subsides? Pretty bleak!

Reece hangs with his bro’.

* I’m sure real-life super vain super villains like Trump spend plenty of time and money on their appearance. They just clearly do so far less successfully than some of the specimens Hollywood style casting agents clearly prefer.

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