This is a very, very beautiful book.
I’m no expert on Brit Jazz. And even this terrific tome prob’ won’t change that, on its own. But I bought it for several reasons: it’s simple aesthetic appeal, first and fivemost; to learn more about the evolution of Jazz, on these Septic Isles of ours; and, perhaps – time and funds permitting – to allow me to build a little collection of some of this music?
I’m British, and I love and have even played quite a lot of jazz. So exploring the work of fellow jazz enthusiasts and musicians, this side of The Pond, seems quite natural. That said, as a consumer of mostly American jazz (and related forms), I have – like many ‘over here’, quite possibly? – pursued those interests in my own little bubble.
Turns out…