So, not only do I have some weird conflict between WordPress and Jetpack, that’s stopping me from posting here as I normally would. I also have issues with apps on my iPhone.
What happened was that I wanted several apps that were in folders just out on ‘the desktop’, so to speak. I used the ‘remove folder‘ function. This appeared to suggest that the folder would go but the apps would stay.
Uh-uh. Both folder and apps (or at least app icons) disappeared. So I re-downloaded one of these apps, an FTP thing. But although it shows here:
… it doesn’t show on any of the several screens worth of what I’m calling my ‘desktop’:
If anybody should chance upon this post who knows what’s gannin’ on, leek, could they enlighten me… pretty please!?
To my mind, the short answer to the question posed in the title of this post is a short and resounding yes!
However, apparently much of the science says otherwise: ‘Fundamentally, the idea of a general addictive personality is a myth. Research finds no universal character traits that are common to all addicted people.’ [1]
Anyway, I’ve suddenly collapsed into a near vegetative state of depression, over the last few months. Some of the reasons are perennial (lack of money), others more singular (least said, soonest mended).
Amidst all of this, I’ve relapsed into few behaviours (I’m sounding like an amateur naturist, er… naturalist, now) that seem, outwardly, very aulde. One of the common denominators to all these behaviours, is addiction.
And some of the things that characterise the kind of addiction I’m talking about: firstly they compel one to act in ways one knows are foolish and high risk, and two, there’s a kind of hollow joylessness to whatever the indulgence might me.
On that latter point, it has to be said that things aren’t really as cut and dried as that idea might imply. Pleasure can be and is taken in the addictive behaviours. But there’s an underlying sense, sometimes even when unquestionably enjoying the addictive behaviour, that one is acting foolishly.
Why should it be this way? And what makes certain things so compelling that they hijack one’s better judgement? This post isn’t an attempt to really answer such questions. In truth it’s more the sudden realisation that I’ve got some possible addiction ‘issues’ I need to acknowledge and work on.
Looking at all the textual images in this post, which I pulled from the Google image search results for ‘addictive personality’, they almost all apply. Perhaps unsurprisingly?
I’d say that for me there are two or three chief drivers when it comes to most of my addictions: pleasure, relaxation and escape. And the leaning into these behaviours is exacerbated in times of high stress – such as presently – by the desire to reduce or mitigate it.
I like to use my blog as a somewhat candid journal. But it’s neither an outright confessional, nor the best place to air dirty laundry that might best be addressed professionally.
On this last topic, however, I feel I’m being let down in a pretty big way, by the alphabet soup of acronym-heavy mental-health organisations I’ve been alerted to. It’s all pillar to post Groundhog Day assessments, and nary any actual support!
Having inferred above that here is not the place to go into the gory details of specific addictions, I will use one relatively innocuous seeming but actually very insidious example, namely spending.
My re-formulation of Descartes famous dictum, for our times, runs thus ‘I spend therefore I am’. One of histories’ greatest dictators, the unholy axis of capitalism and materialism, has marched into and annexed almost every conceivable aspect of modern life.
And I will often attempt to spend my way out of obscurity and depression with anything from a Gregg’s pizza slice to a book, CD, clothes or shoes.
Watching this terrific little series again. What fun! as Miranda’s mum liked to say. Saxondale really tickles my funny-bone. And laughter is great medicine when you’re wrestling with a St. Bernard’s sized black-eyed dog.
The ageing quite clever and quite articulate ex-roadie turned pest controller is a great creation. Struggling with anger issues, and having to deal with the excruciating Vicky (Morwena Banks) to get jobs.
He encounters a Top Gear presenter, his ex-roadie pal Deggsy, animal rights protestors who object to his pest control methods, and a plethora of other characters, from the occasional appearances of hapless shopping centre-salesmen (Tim Key), to regulars, like Vicky, Raymond, his girlfriend, Magz, and his anger management counsellor, Alistair (James Bachman).
In a similar yet different way to Coogan’s sublime Alan Partridge, the whole attention to detail thing with Saxondale’s music-obsessed character is a real pleasure for those who, like me, share similar interests.
And, again, as with Partridge, we love him as much for his myriad foibles and failings, as for his ‘good qualities’ – be they his ‘Stang, ready wit, or ‘classic rock’ schtick – all the while squirming in embarrassment when he goes off on another misplaced tanned-genital rant.
The scenes with his daughter and her beau are great, as Saxondale battles with his responses – whether natural or conditioned – and piles mistaken assumptions on top of angry prejudices. And all the while Focus or Tull, and similar ‘70s sounds, pump up the irony of the disparity between an ageing rocker’s dreams and visions of himself, and the humdrum reality.
The rapport with Vicky, via whom he gets his pest control jobs, is truly and deeply and excruciatingly excellent. Indeed, all the relationships are really well observed, teetering between very broad humour, and finely nuanced observation.
There are just so many moments that resonate: the comfy old slippers, the lines of coke with Deggsy whilst lamenting the follies of the world, the inadvertent self-harm at the gym (and the hilarious drive home after), and the struggles with ageing.
These latter range from Saxondale’s quirky facial tics and odd snuffling noises, to his inability to hoist himself into a loft (as his young assistant Raymond does), the glasses scene with hooker, the need for Viagra, and limitations on sexual positions due to a body that’s gradually wearing out.
Another dimension to all this, besides the 70s rock thread, is the general cultural milieu, with Tommy quoting Zulu, and frequently harping on about everything from Isambard Kingdom Brunel to Barnes Wallis. A set of … eugh! tropes (spits and washes mouth out) that fit a certain demographic, to which I belong, like Cinders’ glass slippers.
It’s humour that cuts pretty close to the bone, for some of us viewers. And, I think, is all the funnier for it.
I love the scenes at the anger management group that Tommy attends, at the local library. His humour and sarcasm are tragicomic, and, as with much comedy (also very much so with Partridge) he says out loud what many might think, but either then think better of, or at least choose not to say out loud.
Teresa isn’t so keen. ‘It’s a boy’s thing’, she says. And maybe she’s right? Still, I love it!