MUSiC: CD Review – It’s The Great Pumpkin, Charlie Brown, Vince Guaraldi, 1966/2022

I’ve been digging my other Vince Guaraldi Charlie Brown recordings so much I wanted more. A bit of rooting about online revealed this as a potential next acquisition. So I pulled the trigger!

It’s an odd album compared to the other two CB Guaraldi albums (A Boy Named CB, and A CB Christmas), in that they are both quite conventional musical albums. This, on the other hand, is a collection of shorter ‘musical cues’.

So rather than an album of longer recorded pieces derived from the shorter cues used on the TV animations, these are those short musical cues. And not only that, there are many repeated iterations of the same or very similar short musical themes.

This means this disc largely comprises many renderings of a rather limited number of compositions, plus a few more singular oddments. So, for example, take that old favourite, Linus and Lucy… there are seven, yes, seven versions here! Similarly, there are five Great Pumpkin Waltzes and five Graveyard Themes, and so on.

This makes listening to the entire CD in the way you would most normal albums a bit odd. I love the music contained herein. But I’m not sure how often I’d want to sit through such a repetitive program of music.

But let’s backtrack momentarily. How did this music come down the years to us in this form? Well, the love for Guaraldi’s Peanuts/Charlie Brown themed music endures, and a kind of ‘quest in to the archives’ brought to light what had long been assumed to be lost; master tapes of the Guaraldi sessions for this Halloween themed TV special.

And it’s clear from the liner notes that this has been a passion project for lovers of Guaraldi’s great jazzy extension of the whole Schulz Peanutsiverse, so to speak. So from the perspective of musical and artistic cultural archaeology this is pure gold. Five star fare!

And really it is musically, as well. Admittedly modern mastering does reveal some of the limitations of the source material, in terms of hi-fi or sonic clarity. For those in love with Guaraldi’s CB work, this is a great treasure trove. And I’d count myself in that demographic. But nonetheless, I’ll probably cherry pick my favourite tracks/takes, and make a more succinct less repetitive playlist, rather than frequently listening to the album entirely as it is.

For these 1966 dates Guaraldi was once again in trio with Monty Budwig (bass) and Colin Bailey (drums), who had recorded CB sessions with Vince before. But that core group was further augmented by guitarist John Gray, Emmanuel Klein (trumpet), and Ronald Lang (woodwinds). Also in the studio, in a new development, was a John Scott Trotter, credited with orchestration (waving a baton while the tape rolled, apparently!).

Back to the tunes: it’s interesting hearing the oh so familiar Linus & Lucy getting reworked, and with horns. And there are a few lovely themes or pieces unique to this special, such as the achingly gorgeous Great Pumpkin Waltz, and the spooky Graveyard Theme.

Then there are some slightly odder less oft repeated things, like Snoopy and the Leaf, Frieda, Fanfare/Breathless, and a little suite of solo piano ‘oldies’: It’s A Long Way to Tipperary/There’s a Long-Long Trail a-Winding/Pack Up Your Troubles In Your Old Kit Bag/Roses of Picardy.

I’m pretty sure I read online that this stuff was released a while back in straight-off-the-soundtrack form, with sounds from the cartoon show included/intruding. Alas, I can’t recall where I read that? But mention was made that there was much grumbling about this, and a cleaned up version was in the works. I guess this must be that?

It’s an oddball CD, I guess, and probably likely to appeal most strongly to Guaraldi and/or Charlie Brown über-buffs. Whatever, as folk say these days, I’m glad I got it!

MUSiC: A Charlie Brown Christmas, Vince Guaraldi

Utterly gorgeous!

I had wanted to get this in time for the 2022 Yuletide season. But I didn’t. But, with gift voucher funds from Teresa and Patrick, I did finally get it after Xmas.

Speaking frankly, and especially as I’ve loved Guaraldi’s A Boy Named Charlie Brown for years now, I can’t believe it’s taken me over a half a century to get around to buying this. A truly terrific recording, this gets my occasional – and reserved for only the berry vest – six stars. It’s just utterly wonderful.

It’s one of those instances where less is more. Much, much more, in this case. Jazz is a musical style in which sometimes the tempos can be high, the vibe intense, and the notes hyper-abundant. This collection, however, belongs to a mellower more Chet Baker-esque jazz world. A musical universe of pretty melodies, and spare pared down playing. I love it!

And it’s not just Guaraldi’s own playing and composing that benefits from this approach. The sidemen here* are, for the most part (a little less so on one or two of the added bonus tracks at the end; we’ll get to them later), the essence of tastefully restrained.

‘Linus and Lucy’ is revisited on this recording, and is a case in point: the main theme is just piano – a beautifully rumbling train like piano – against very minimalist drumming, with the bass dropping out altogether. But the keys and drums duo sound is remarkably full. The bass appears when they go into the B-section, sometimes bossa, sometimes swing; but the vibe remains resolutely Spartan. Fantastic!

Apparently Guaraldi’s ’earthy’ style garnered him the nickname Dr Funk, on the local music scene of his native San Francisco, where he came to fame playing with Cal Tjader. And, whilst talking about learning more about this dude and his music, I’m definitely keen to find out if more of Guaraldi’s work, Schulz related or otherwise, is as good as the two Charlie Brown themed albums I now have. And to that end I intend to check out this NPR show on him:

Looks interesting!

One of Guaraldi’s drummers, Jerry Granelli, is either still going, or only recently passed. I remember watching him not long ago, online (YouTube, no doubt), including in a trio performing Guaraldi’s Peanuts stuff. It struck me that Granelli’s kit looked like an Ayotte, a Canadian drum brand of which I have a beautiful example.

Guaraldi himself passed away quite young, aged just 47. He was busy musically till the end, working on further Peanuts stuff, gigging, skiiing, and then boom… killed by a massive heart attack! Sad, really.

Back to the CD, and happier thoughts! The material is a mixture of trad Christmas stuff, from O Tannenbaum to Mel Tormé’s evergreen classic, The Christmas Song, with some Greensleeves, and a brief but beautiful Fur Elise, by Beethoven, as well as a good fistful of superb Guaraldi originals.

The liner notes to the CD are good, and talk about Guaraldi’s modest self-appraisal, and his desire to make pretty music, and be loved for it. Well, I agree with the liner notes author; you did it Vince, and we love ya!

A few pieces have vocals from a children’s choir, which just adds to the festive charm. The Choir of St Paul’s Episcopal Church do themselves and the music proud.

If you’re interested, you can read more on the Peanut’s Yuletide special here. Rather like the two page comic strip ad for the special itself, that Schulz produced (which finds Charlie Brown lamenting the commercialisation of the season), all this stuff, the music included, had a beautifully gentle and lightly wistful edge to it.

Utterly lovely! Can’t recommend it highly enough.

* Apparently Guaraldi wasn’t the best at keeping accurate records of who performed on his dates. Which has lead to some confusion over personnel credits.