Utterly gorgeous!
I had wanted to get this in time for the 2022 Yuletide season. But I didn’t. But, with gift voucher funds from Teresa and Patrick, I did finally get it after Xmas.
Speaking frankly, and especially as I’ve loved Guaraldi’s A Boy Named Charlie Brown for years now, I can’t believe it’s taken me over a half a century to get around to buying this. A truly terrific recording, this gets my occasional – and reserved for only the berry vest – six stars. It’s just utterly wonderful.
It’s one of those instances where less is more. Much, much more, in this case. Jazz is a musical style in which sometimes the tempos can be high, the vibe intense, and the notes hyper-abundant. This collection, however, belongs to a mellower more Chet Baker-esque jazz world. A musical universe of pretty melodies, and spare pared down playing. I love it!
And it’s not just Guaraldi’s own playing and composing that benefits from this approach. The sidemen here* are, for the most part (a little less so on one or two of the added bonus tracks at the end; we’ll get to them later), the essence of tastefully restrained.
‘Linus and Lucy’ is revisited on this recording, and is a case in point: the main theme is just piano – a beautifully rumbling train like piano – against very minimalist drumming, with the bass dropping out altogether. But the keys and drums duo sound is remarkably full. The bass appears when they go into the B-section, sometimes bossa, sometimes swing; but the vibe remains resolutely Spartan. Fantastic!
Apparently Guaraldi’s ’earthy’ style garnered him the nickname Dr Funk, on the local music scene of his native San Francisco, where he came to fame playing with Cal Tjader. And, whilst talking about learning more about this dude and his music, I’m definitely keen to find out if more of Guaraldi’s work, Schulz related or otherwise, is as good as the two Charlie Brown themed albums I now have. And to that end I intend to check out this NPR show on him:
One of Guaraldi’s drummers, Jerry Granelli, is either still going, or only recently passed. I remember watching him not long ago, online (YouTube, no doubt), including in a trio performing Guaraldi’s Peanuts stuff. It struck me that Granelli’s kit looked like an Ayotte, a Canadian drum brand of which I have a beautiful example.
Guaraldi himself passed away quite young, aged just 47. He was busy musically till the end, working on further Peanuts stuff, gigging, skiiing, and then boom… killed by a massive heart attack! Sad, really.
Back to the CD, and happier thoughts! The material is a mixture of trad Christmas stuff, from O Tannenbaum to Mel Tormé’s evergreen classic, The Christmas Song, with some Greensleeves, and a brief but beautiful Fur Elise, by Beethoven, as well as a good fistful of superb Guaraldi originals.
The liner notes to the CD are good, and talk about Guaraldi’s modest self-appraisal, and his desire to make pretty music, and be loved for it. Well, I agree with the liner notes author; you did it Vince, and we love ya!
A few pieces have vocals from a children’s choir, which just adds to the festive charm. The Choir of St Paul’s Episcopal Church do themselves and the music proud.
If you’re interested, you can read more on the Peanut’s Yuletide special here. Rather like the two page comic strip ad for the special itself, that Schulz produced (which finds Charlie Brown lamenting the commercialisation of the season), all this stuff, the music included, had a beautifully gentle and lightly wistful edge to it.
Utterly lovely! Can’t recommend it highly enough.
* Apparently Guaraldi wasn’t the best at keeping accurate records of who performed on his dates. Which has lead to some confusion over personnel credits.
